Let us acknowledge one universal truth rarely cast into the light: awards shows are boring. Unless you have company and/or alcohol (preferably both), making it to the end of the telecast is the equivalent of walking barefoot over hot coals just to receive a vial of your own tears to wash your heels. It’s basically torture. One of the few ways to get through the needless musical numbers, the bad jokes, and the endless cutoff music is by having an opinion. A tenacious, dogmatic, self-righteous stake in the game.
Do I, personally, care that much? Not really. But I’ve seen a lot of the nominees, and I have feelings. Therefore here are my predictions (and my wishful thinkings) in the major categories.
Actress in a Supporting Role
Look, I love Jennifer Lawrence. She’s my imaginary best friend too, okay? She’s probably going to get the Oscar, and that is quite frankly bullshit. Was she fun in American Hustle? Absolutely. Her weirdo hair dance to “Live and Let Die” actually inspired me to go home and listen to Wings. But she didn’t really have to do much. Plus her accent fluctuated between “I don’t give a fuck” and Howard’s reviled mother (“mutha”) on “The Big Bang Theory.” Lupita Nyong’o? She brought it. Her grief, her despair was palpable. She made me feel. I’ve seen people argue that she shouldn’t win because her character Patsey was always going to garner sympathy, to which I say bullshit. This was her first film role, and she was incredible. To go with the safe choice of the white girl with the smelly nails over a woman throwing herself into the horrors of slavery…well, you get where I’m going with this.
Actor in a Supporting Role
I’ll confess that I haven’t seen Captain Phillips or Wolf of Wall Street, so Barkhad Abdi may be a revelation. I’m not entertained by stories of greed that make a corrupt man richer in the end, so sorry to Jonah Hill’s fake teeth. Michael Fassbender was downright terrifying in 12 Years a Slave, and I believe he hasn’t gotten nearly enough recognition for his efforts, probably because people are too afraid to watch a movie that’s a downer. Still, we all know Jared Leto has this in the bag. I haven’t been a fan of his except in Urban Legend (yeah whatever, haters) and Fight Club, but I saw Dallas Buyers Club twice and cried at different points each time. His portrayal of the doomed Rayon brings light and darkness, and I think this will be the Academy’s token “we acknowledged a trans character, so we don’t have to deal with that slavery thing!” vote.
Actress in a Leading Role
This is tough. I’ve only seen two of these films. Some people have told me that Blue Jasmine is incredible, and others have told me that it’s the most boring thing they’ve gone through in ages. I am not a fan of Sandra Bullock (I’m convinced that she looks like one incarnation of Michael Jackson’s face), but I enjoyed Gravity and could suspend my disbelief. She went through a lot to make that movie, and kudos to her. Bless Amy Adams and her dodgy British accent in American Hustle. I feel like Cate Blanchett will probably win, but if anyone upsets her, it’ll probably be Amy Adams. American Hustle is the safe bet that just keeps on winning.
Actor in a Leading Role
I wish there were an award for Best Accent in a Leading Role, because I would hand that to Christian Bale in a heartbeat for his sleazy New York stylings. He pulled it off better than everyone else in that movie. If there were any justice in this world, Chiwetel Ejiofor would take this home for 12 Years a Slave. I read the book before I saw the movie so I could be emotionally prepared for the violence, which I assure you is not as present as the shitty, white guilt reviews make it out to be. It’s isolated, shocking, and effective. Still, I wept through the last ten minutes of this movie. Not cried, wept. And I’m tearing up a little just typing this. Having said that, if Ejiofor loses, I’m pretty sure it will be to Matthew McConaughey. I have a theory that for the last decade, he was deeply method as a stoner so everyone would underestimate him. That’s how good he is in Dallas Buyers Club. Everyone who saw A Time to Kill knew he was capable of this pedigree of acting, and for the past few years, he’s been playing such diverse, nuanced roles that you can’t deny his talent. I am a believer in the McConaissance, “True Detective” is the best thing on TV right now, and if Leonardo DiCaprio finally gets an Osar for flopping around on drugs over the perils of slavery and AIDS, I will punch a hole through my face.
I always find it funny that the best director didn’t necessarily direct the best picture, which is why I’m including this category. I feel like this is going to be the token award to a film that doesn’t get much love elsewhere. It’ll probably go to Alfonso Cuarón because in spite of all of its flaws, Gravity is a directorial achievement. That long take at the beginning? Breathtaking. The visuals are far better than the script, which can get a bit hokey. Still, Steve McQueen is an auteur of devastation, and if 12 Years a Slave doesn’t get best picture, they may just give him this as the consolation prize.
Let’s get out of the way what it’s not since ten nominees is too much, okay? Captain Phillips, Her, Nebraska, and Philomena can all start drinking the free champagne already. It’s nothing personal. The Wolf of Wall Street will not win this because the Academy doesn’t want to look it’s made of assholes, plus comedies never do well here. American Hustle has won far more awards than I ever thought possible, but again, comedy. This award should go to 12 Years a Slave, but I don’t know if voters will be brave enough to go that route. (Remember when Crash won over Brokeback Mountain and then we didn’t need movies about racism anymore because everyone stopped being racist?) Dallas Buyers Club is also worthy, but with two torturous true stories going up for this, the votes might split in such a way that Gravity could take it.
So, those are my picks. Stay strong, friends, and everyone remember to DVR “True Detective” for some actual entertainment after the ceremony.