Top Ten of 2013: Editors.

2. Editors – The Weight of Your Love

I’ve been into Editors for roughly eight years, which surprises me as I just now did the math. Back in those experimental days of college, I’d snatched my heart back from Interpol and given it over to Bloc Party, and I was expanding my post-punk revival horizons. “Munich” and “Blood” were my jams. The Back Room was perfect, and then An End Has a Start stood on the shoulders of that record to become even better. And then In This Light and on This Evening came along, and I didn’t care for it as much. I wavered.

And now here they are with The Weight of Your Love, shrugging off the synths and sounding like themselves again. This isn’t about going back to their roots or rejecting their previous album so much as expanding to make some really fucking good rock tunes. “A Ton of Love” has such strong R.E.M. vibes that I was surprised from the first note. Tom Smith has an incredible, deep voice, but to hear him go falsetto on songs like “What Is This Thing Called Love” is a delight, especially when he shifts his pitch back down, going from vulnerable to strong as ever. Goosebumps. I find everything about this album compelling, from the music to the lyrics to the gorgeous artwork that pairs with the record and each single.

Sometimes you just need a band to sound like a group of guys playing instruments to remember the magic of how simple the essence of music is. To me, Editors are transcendent.